Wednesday, December 29, 2010

Mistakes I’ve learned from in 2010

Recently I was interviewed by a local reader who was thinking about opening her own design firm and she asked me a really good question.  ‘What is the scariest part of your job?’  My response was “In the beginning, everything you do (if you haven’t worked in a design firm to get your experience) you are doing for the first time. So you lose sleep worrying about every single furniture and drapery installation.”
 
image Image via Cote de Texas

Specifying colour was equally as scary for me in the beginning.  Until you see a lot of colour and start to become more confident that your advice is right, it is very stressful. As most of you know, I now offer a workshop in Atlanta and Vancouver for those who would like to learn everything that took me 10 years to learn (through a pile of mistakes). Colour confidence comes from understanding undertones and learning to See Colour like a Pro!

Managing Client Expectations is also a huge part of our job as designers. Every job is different so it doesn’t matter how long you’ve been in the business. Most of your advice is based on experience and training but most importantly, your own design aesthetic. This post outlined what I learned about silk drapery this year.

image Image from Cote de Texas

My next lesson was about Exterior Colour.  I had helped a client choose colours on-line and then neglected to explain how to test the colours accurately (especially on her house because it was already a dark, muddy colour) resulting in a very unhappy client and prompted this article I wrote on: How to test Exterior Colour – 3 Steps to get it Right.

image Source

In July I painted my living room just before my sunflower yellow sofa arrived, it was all waaaaay tooooo yellow! Read the full story here.

image Photo by Maria Killam

In September, one of my projects was published in BC Home magazine (below), See that green chair in the foreground of this photo? Well I had originally specified two chairs to be positioned in front of the coffee table/ottoman right across from the sofa.

image
Interior Design by Maria Killam

Both of the chairs were delayed and so the sofas were installed first. When the chairs arrived one week later, my client called me and said, “Maria, when I walk into the house, now I see the back of the chairs instead of the coffee table, I don’t want to look at the back of the chairs.”  And she was absolutely right. When you walk through the front door in between the dining room and the library (below). . .

image
Interior Design by Maria Killam

The first thing you see is the living room (below) with the view of the golf course including the coffee table which then becomes the focal point of the space (not the fireplace, not shown, on the left). Having both the chairs directly in front of the coffee table also impeded the flow in terms of walking from the hallway from the office and powder room and into the kitchen. Luckily the office right next door was large and we were able to use the second chair in that room which worked out perfectly. Whew. But as you know, it doesn’t always work out that way.  I could, at this very moment, have a moss green chair sitting somewhere in my house :)

imageInterior Design by Maria Killam

With specifying colour for walls (very different from fabric and other surfaces), most of the time I look like a True Expert and sometimes I don’t. Lighting still trumps the best predictions in the world and can suddenly change that fabulous colour I specified into something that makes you want to cry.   It’s why I’m in this business, it’s never the same and endlessly fascinates me.

And I don’t lose sleep over it anymore.

If you would like your home to fill you with happiness every time you walk in, contact me.


Related posts:

5 Ways to know if you should Quit your Day Job to become a Designer
The first Mistake a New Colour Consultant will make Every Time
Should you Pay for a Room to be Re-painted if You chose the Colour?
10 Ways to Save money now by Creating a Focal Point
Effect of Natural Light Exposures on Colour

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